September 4

ELA A10: Question discussion and “The Witch of Coos” poem…

  1. I was really impressed that three students came to class before school to get help with a few questions they couldn’t complete for homework. Some of them had difficulty completing their comment on the blog, as well, because they forgot they could access my blog from the school website. It’s still early and they’ll get more used to it.
  2. We read through all the questions and everyone took turns giving their response. We elaborated on some, but for the most part I was really pleased with the quality of their responses.
  3. I showed them a video of famous author Robert Frost talking about his poetry and how he feels about it. His poem, “The Road Not Taken” is quite a popular and well-known one, but it’s interesting to actually see the man who wrote it and hear him speak of poetry like children.
  4. We read a poem of his, then, called “The Witch of Coos”. I started retyping it out, not in the poem-form that appears on their page, but as a short story with whole sentences until the punctuation (from the poem) ends a sentence. Looking at the poem like this, it seems very much like a simple short story tucked into the format of a poem.
  5. We read through it and students volunteered summaries or ideas for what certain aspects mean. They all agreed, though, that it was somewhat creepy but interesting. We started trying to answer a few of the following questions:
    1. Who did “the bones” belong to? What evidence is there in the poem to support our answer?
    2. Who killed the bones?
    3. What happened to her husband?
    4. What kind of relationship does it seem she has with her husband? Support?
    5. Did her husband ever see or hear the bones? If not, what does that suggest?

We’ll continue on Tuesday.

 

The Witch of Coos poem

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September 3

ELA 20: Work class for interview and chart projects…

  1. Students started their Interview projects yesterday. They had today’s class to draft their first copy and ask for comments / suggestions for how to improve it. For most of the drafts I saw today, the common suggestion for all was to focus on creating their ‘story teller’s voice’. It may seem more comfortable for some to just re-tell the story they were told, but the challenge and focus of this assignment is for them to share their partner’s story in a way that is more creative, imaginative, and exagerated, while also creating a strong writer’s voice through their word choice and the tone they create. We have studied this last semester in looking at how authors have created their own style and tone; now it’s their own turn to try it.
  2. They had approximately 50 minutes today to draft their 10 – 15 sentences, edit, and type it on the computer if they focused. I reminded them that I am trying to give them adequate work time and computer access, but after that their work must be completed at home.
  3. At the beginning of class, I also introduced them to their next assignment, a chart they must draw that details a special childhood place they remember fondly. It might be their yard, their grandparent’s yard, or maybe even a special camp they went to when they were young. They will have to create a diagram or map of this location but the focus here is to add details of the little memories that come back in the process – the hold in the door that they used to peak out of, the worn path through the trees to their fort, or the loft where they used to build forts from the bails and find litters of kittens hidden in. They’ll get about fifteen minutes at the beginning of tomorrow’s class to begin this but it will also be an at-home project. (Primarily because, to do this project really well and benefit the most from the experience, they have to be on their own in a quiet place with their thoughts. Try as they might, it just can never be the same in a classroom.)
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September 3

ELA A10: Sept 4 Answering questions individually…

  1. We finished reading through the handout from yesterday that discussed the Elements of Literature. We focused a fair amount of attention to explaining the difference between the point of views possible in literature.
  2. We talked some more about trying to pinpoint the climax of the story – we’re not all in agreement on that point. I told them they would have to reach their own conclusion and be able to support it at the end of class.
  3. They were given a second handout of twelve questions that focused on the Elements of Literature in the story. They were given twenty minutes to work on answering them individually – this will be my first look at the level of work they do in this class.
  4. With about twenty minutes left in class, we went to the drafting lab where they were given the option of doing two things – both due for homework tomorrow:
    1. They could use the class time / computer time to go to my homework blog and write their conclusion about what is the climax of the movie, and then finish their questions at home.
    2. Or they could choose to finish the blog comment at home on their own time and use the twenty minutes to finish their questions for tomorrow.

      Click here to read the comments they’ve posted.

  5. Tomorrow, I’ll go through their questions and we’ll move on to a spooky and mysterious poem called “The Witch of Coos”!
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September 2

ELA 20: Sept 2 Going back to youth…

  1. Yesterday, we studied three poems written by people who were considering what was significant about their younger years. John made the point that you’ve already changed by the time you’re in your teens, so reflecting back to those years isn’t good enough – you have to go all the way back to early childhood to really be able to measure how far in life you’ve come!
  2. To share my own example of this, I showed them a short video clip I took this summer when I went on a mission – I returned to my childhood home (a place I haven’t really gone back to in twenty years) and faced what I thought were solid memories and was surprised and sometimes disappointed with what I found. I’ll add the video here.
  3. To have them face their own memories, we took a short journey down to the kindergarten room. Even if they didn’t attend Kenaston school during that time, being in that room will bring back memories of their own Kindergarten room – the sand box, the water box, the records teachers would play, the bins of toys, all the dress up things and pots and pans for playing in the kitchen. Though it may have seemed “uncool” to really get into it, I think they slipped into reliving those moments by accident because they seemed genuinely thrilled to have another go at certain things.
  4. We returned to the classroom, then, where they partnered up and interviewed each other. Each person is supposed to think of one specific childhood memory and tell it to their partner. The other person’s job, though, is to not just listen to the story but to ask questions, dig into it, and get more details and specifics from the story-teller. Then they’ll switch and repeat the process. In the writing portion, then, they’ll have to be creative in how they are going to share the story they’ve learned about. The trick is to be engaging and really sell the story, instead of just retelling it.ELA 20 Going back to youth interview assignment

Here’s a video of the marble track they constructed today!

September 2

ELA 10: Sept 2 “Death Trap” and Elements of Literature…

  1. Because a few people were away yesterday for Driver Training, Taron volunteered to carefully summarize what we’ve learned so far in reading the short story titled “The Death Trap”. He did a great job. That blended nicely into continuing the story, from what turned out to be the beginning of the real action.
  2. Studying short stories is very common in English classes, but ensuring students know the proper terms and meaning for them is pretty important. They were given a handout that reviews specific things we’ll talk about with each story we read, such as the tone or the author’s style of writing. Some of these things were familiar to them and others were new.
  3. We created a plot outline on the board and everyone contributed their ideas as to what events should be noted in the “rising action” section or what specific thing was actually the “climax”, which caused quite a bit of discussion. There was no real consensus, so that discussion hasn’t ended.
  4. We spent a bit of time going over the types of characters authors can include in literature: stock, round, and dynamic. We also had quite a debate about what qualities define a protagonist and antagonist.
  5. Students have to come tomorrow with the blog name they’ve decided on so I can get started creating their blogs. They were asked, though, as part of their first experience with my own homework blog, to add a comment regarding either examples of the following:

    1. A protagonist from a story or movie who isn’t so easily distinguished as being the “good character” since they’re somewhat flawed and have evil characteristics.
    2. What exactly is the climax of the story we read – when he enters the water, when they realize the straightjacket has been gaffed, when he still hasn’t come up in the water? Give your opinion and be sure to back it up!

Death Trap story

September 1

ELA A10: Sept 1 Mystery and Suspense begin…

  1. to begin class, today, we read through a handout that went over the procedures and expectations for class. It also covered how to hand in assignments, what they can expect when they’re given one, what my procedure is for late assignments and lates in general.
  2. We also took a quick look at a few of the student blogs students worked on last year. Blogs, again, are one of the components of this course. We looked at several to see how unique they can be and to look at the type of content that they’ll be asked to create.
  3. Then started with the first unit today titled Mystery and Suspense. To get in the mindset of what this entails, we watched a short clip of David Blaine attempting to break the world record for the longest amount of time holding his breath… under water. (It was on Oprah.) He was under the water for over sixteen minutes – I don’t buy it! Whether or not it was real, it fit nicely with the first story we were going to study about a similar dare devil from the past (a fictional character) who was going to attempt a similar stunt. We started reading through the story together and had to end just before the real tension began because the bell went. We’ll find out what happens tomorrow!

Here’s the end of the video we watched.

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September 1

ELA 20: Sept 1 Poems about remembering “home”…

  1. I explained yesterday that the first part of this course is about looking back. The first three poems we’re studying do just that, but in three different ways. One is from the perspective of someone looking back before deciding to leave, the other is from the perspective of using youth to measure how far they’ve gone in life, and the third initially begins with remembering the pleasant things of childhood but turns into an angry vent when the “other” memories come back about the harsh parts of youth. We read through each of the poems several times, discussed the style and certain particulars that stood out in each, and then answered questions together on the handout.
  2. A lot of the question topics should have been easy enough for them to respond to because they’re the same as the ones we answered throughout last semester’s English class.The first of these poems is actually Bruce Springstein’s song “My Hometown”. The character in the song is connected to his hometown because it’s where he was raised by his father, where he witnessed racial tensions in high school, where he started his family and worked (possibly at the same mill as his father). He has to face some hard decisions, though, because the mill has closed and the town is winding down – he must choose whether to stay and raise his own son there despite the situation or whether to go and start a life somewhere new. At the end of the song, though, it’s significant to point out that it’s not clear whether he’s decided to leave or stay; he only shows his young son the same town and says it’s his hometown.

Harry Connick, Jr. is a world famous musician, singer, and actor who grew up in New Orleans. In the after-effects of Hurricane Katrina, Connick was very vocal about his connection to the place where he grew up – it never leaves you. Listen to him explain that in the video here. (It’s the first forty five seconds.)

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